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There are a couple good jump scares in here but by showing the antagonist’s disfigured visage a tad too many times, the effectiveness gets somewhat diluted as the plot progresses. A widowed mother with two children isn’t enough to earn our emotional investment.
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The rest of the plot follows the established tropes of the genre, employing run of the mill scares, and is often more concerned with planning the next fright instead of developing the characters. After she finds her kids being haunted by a malevolent spirit, she enlists the help of a disillusioned priest to save her family from the powerful evil.ĭirected by Michael Chaves in what’s his directorial debut, the rookie filmmaker makes his first mistake in the opening prologue only by failing to properly illustrate the lore origins, which could have generated additional interest in the story. Similar to The Curse Of La Llorona – ANNABELLE: CREATION – A WELCOME ENTRY IN THE CONJURING UNIVERSEīased on the Mexican folklore of La Llorona, The Curse of La Llorona (also known as The Curse of the Weeping Woman) is set in 1970s Los Angeles and follows a social worker whose investigation into the case of a former client, a troubled mother suspected of child endangerment, triggers a chain of events which bring havoc into her own household. It was conceived as a standalone horror film in the beginning, and it should have remained as such. Aside from a brief appearance from one supporting character from Annabelle, whose presence here is as redundant as the highly forgettable film he was a part of, the film features a separate, self-contained story that’s got nothing to do with the earlier entries of the famous horror franchise. IMAX: Barton Creek, Gateway.There is no valid reason whatsoever as to why The Curse of La Llorona is part of The Conjuring Universe. Theaters: Alamo Lakeline, Alamo Slaughter, Barton Creek, Cedar Park, City Lights, Evo, Flix, Gateway, Hill Country, Lakeline, Metropolitan, Moviehouse 620, Moviehouse Lantana, Pflugerville 20, Round Rock, Sky Dripping, Southpark, Stone Hill, Westgate. Starring: Linda Cardellini, Patricia Velasquez. Just maybe remember to douse yourself with some sage on your way in and out.
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The story hits all of the beats expected from a horror film, with nothing particularly inventive along the way, but Chaves has an astute sense of how to continuously amplify the scares.įor someone who grew up with the idea of La Llorona, or is intrigued by her myth, or wants the fright of seeing her come to life on the screen, the film is worth a watch. “The Curse of La Llorona” is all in for the jump scares, and what the film sometimes lacks in story and character development it replaces with suspense through its skillful, intense sound design alone. But when Anna does, the social worker is already in the thick of it herself and must recruit outside help to rid her family of La Llorona, whatever it takes. It is not until a little later that Anna finds out who “she” is. When Anna visits the home of one of her cases, Patricia Alvarez (Patricia Velasquez), and finds Patricia’s children locked up in a closet with burn scars on their arms, she has no choice but to take them in despite the protests from both the mother and the boys that “she’ll get them.”
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But the film itself (Michael Chaves’ feature debut, produced by literal horror movie master James Wan) takes place in the ’70s, following social worker Anna (Linda Cardellini) and her two children. This is the driving force in “The Curse of La Llorona,” which premiered at South by Southwest in March and hits theaters this weekend.
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Since then, she wanders around crying, looking for them, and often tormenting those - especially the children - who hear her. The tale of La Llorona, or “the weeping woman,” is a myth in Latin American culture about the ghost of a woman who drowned her children in the river.
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After all, the story is practically horror movie gold. It’s surprising there hasn’t already been a film about a folktale as old and familiar and as creepy as La Llorona.